Requiem for Methuselah (Video; YouTube; Memory Alpha) gives too much away in the title, but is otherwise excellent.
The crew is suffering from Rigelian Fever, which will kill them all in a few days. They need ryetalyn quickly to make an antidote, and when they land on the only planet within range that’s got it, they’re shot at by a robot drone and threatened by an old guy who owns the place.
But when they threaten him back, he invites them to his house, introduces himself as Flint, offers them all the ryetalyn they need, and even offers to make the antidote for them. As if that weren’t fishy enough, he’s got never-catalogued da Vinci paintings and scores by Brahms and expensive manuscripts. And a hidden girl (there’s always a girl).
Begin Spoilers
I hesitate to even put this in the spoilers box, because the title already gives it away: this guy has been a live for thousands of years; he can’t die and has collected all this stuff, and claims to have been the historical da Vinci and Brahms. No surprises there, but it is interesting that he’s not an alien or anything; he’s just naturally and inexplicably immortal. He has no idea why and no explanation is given or even tossed out as a possibility.
His relationship with the hidden girl Rayna is more mysterious, and it’s fittingly the axis around which the plot turns. But let’s ignore the Rayna/Flint dynamic and focus on the inevitable Rayna/Kirk dynamic. Kirk meets her briefly for two scenes and is smitten. He loves her, says as much, and when he claims with certainty that she loves him back, she doesn’t argue. Later Flint and Spock both affirm that love. A possibility that I had never even entertained before suddenly hit me:
What if Kirk isn’t just a womanizing wanderer? What if he actually likes these girls? What if he’s just the most lovesick person to ever set foot on a starship, and he just has the best luck at finding people but the worst luck keeping them around? What if Kirk is, in short, a tragic hero, whose capacity for love drives him to greatness, but whose heart is always dashed on the rocks by fate?
That’d be a pretty awesome, moody, interesting character. But I don’t really think that’s who Kirk is. Kirk is a womanizer, he does just wander into relationships and then have no problem taking off, and when things do get serious the universe kindly shatters all possibility of a lasting commitment by conveniently killing off whomever Kirk banged this week.
And the Flint/Rayna bit is interesting, but you’ll have to watch the show for the full details. All I’ve got to say about that is: why is Data so novel, since the universe is apparently teeming with androids?
Now all this is good. Great, even. You get Kirk dealing with who he is, an interesting pair of guests, a neat dynamic between those three, Spock there to support, McCoy there to comment, and a messy, tragic end that leaves almost everyone shattered. But then the last scene is an absolutely perfect capstone, where Spock uses his Vulcan Mind Meld to help Kirk in whatever little way he can, because he knows that his friend needs it. We as an audience are left wondering if he knew by himself or because he listened to McCoy’s fantastic paean to love. We also get to wonder whether Kirk ever finds out. But it’s a wonderful show of mercy (an emotion?) on Spock’s part, and it’s woven so perfectly into the plot that it pulls everything together and emphasizes all the right points.
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Best Bit of Dialog
McCoy: You see, I feel sorrier for you [Spock] than I do for him [Kirk] because you’ll never know the things that love can drive a man to. The ecstasies, the miseries, the broken rules, the desperate chances, the glorious failures, the glorious victories. All of these things you’ll never know simply because the word love isn’t written into your book.
Grade
A+; easily one of my favorite episodes in a long time, if not the whole series.
